magazines

Massimo Iarussi
“Alla pietra della luce” (“To the stone of light”)
In: Luce e Design, n. 1 – February 2020, pp. 92-95

The lighting project for the Cathedral of Santa Maria Assunta in Volterra.

Massimo Iarussi
“Identità di luce” (“Identity of light”)
In: Luce e Design, n. 1 – February 2019, pp. 50-57

The lighting project for the Basilica of S.Miniato al Monte in Florence.

Federica Capoduri
“Nuova luce a S.Miniato al Monte” (“New light in San Miniato al Monte”)
In: Luce, n. 326 – December 2018, pp. 92-95

The lighting project for the Basilica of S.Miniato al Monte in Florence.

Massimo Iarussi
“Dal punto di vista della luce” (“From the point of view of light”)
In: Luce e Design, n. 5 – October 2019, pp. 20-26

The professional approach and methodological choices of Studio Massimo Iarussi, in an issue dedicated to museum lighting.

Massimo Iarussi
“La luce come strumento di sintesi” (“Light as a synthesis tool”)
In: Luce e Design, n. 5 – October 2018, pp. 18-22

The lighting project for the Diocesan Museum of Sacred Art, in the church of S. Agostino in Volterra.

“Night at the museum”
In: ARC – Lighting in Architecture, n. 104 – June/July 2018, pp. 132-133

The lighting project of the Museo dell’Opera del Duomo in Florence.

“Firenze, Museo del Duomo” (“Florence, Duomo Museum”)
In: Lotus, n. 166 – April/May/June 2018, pp. 58-75

An article on the renovation and expansion project of the Museo dell’Opera del Duomo in Florence, signed by Natalini Architetti and Guicciardini & Magni.

Report curated by Massimo Villa
“Oltre la tecnologia, per comunicare la qualità” (“Beyond technology, to communicate quality”)
In: Luce e Design, n. 1 – February 2018, pag. 25

An article dedicated to Studio Massimo Iarussi, as part of the review on the state of lighting design in Italy and Europe.

“Il grande Museo del Duomo Firenze” (“The great Museum of the Duomo in Florence”)
In: Domus, n. 998 – January 2018, pp. 48-61

An article on the renovation and expansion project of the Museo dell’Opera del Duomo in Florence, signed by Natalini Architetti and Guicciardini & Magni.

“Il museo diocesano di Arte Sacra di Volterra” (“The Diocesan Museum of Sacred Art of Volterra”)
In: Arte Cristiana, n. 903 – December 2017, pp. 154-158

An article edited by AMEI, Italian Ecclesiastical Museums Association, on the set-up and lighting project of the Diocesan Museum of Sacred Art in Volterra.

Massimo Iarussi
“Un progetto di qualità è un valore aggiunto per tutti” (“A quality project is an added value for everyone”)
In: Luce e Design, n. 4 – September 2017, pag. 5

Editorial signed by Massimo Iarussi, in a monographic issue dedicated to museum lighting.

Francesco Pagliari
“Una raffinata celebrazione” (“A refined celebration”)
In: The Plan, n. 097 – April 2017, pp. 63-69

An article on the renovation and expansion project of the Museo dell’Opera del Duomo in Florence, signed by Natalini Architetti and Guicciardini & Magni.

Jeremy Warren
“The new Museo dell’Opera del Duomo in Florence”
In: The Burlington Magazine, n. 1358, vol. 158 – May 2016, pp. 327-330

The oldest art magazine in English dedicates an article to the renovation and expansion project of the Museo dell’Opera del Duomo in Florence, signed by Natalini Architetti and Guicciardini & Magni.

Claudia Conforti
“Un arcipelago di capolavori” (“An archipelago of masterpieces”)
In: Casabella, n. 858 – February 2016, pp. 68-87

An article on the renovation and expansion project of the Museo dell’Opera del Duomo in Florence, signed by Natalini Architetti and Guicciardini & Magni.

Massimo Iarussi
“Il museo dell’Opera del Duomo” (“The Museum of the Opera del Duomo”)
In: Luce, n. 315 – March 2016, pp. 30-34

The lighting project for the Museo dell’Opera del Duomo in Florence.

Massimo Iarussi, Timothy Verdon
“In forma di luce” (“In the form of light”)
In: Luce e Design, n. 1 – February 2016, pp. 38-42

The lighting project for the Museo dell’Opera del Duomo in Florence.

Massimo Iarussi
“Il Museo archeologico regionale di Aosta” (“The Regional Archaeological Museum of Aosta”)
In: Luce, n. 311 – March 2015, pp. 71-75

The lighting project for the Regional Archaeological Museum of Aosta, signed by Massimo Iarussi with Roberto Rosset and Maurizio Saggese.

Francesca Chiorino
“Antiche tracce per nuovi sviluppi” (“Ancient traces for new developments”)
In: Casabella, n. 839-840 – July/August 2014, pag. 54-61

Report on the renovation project of the Balivi complex in Aosta, signed by architect Roberto Rosset.

Andrea Calatroni
“Massimo Iarussi: progettare nella storia” (“Massimo Iarussi: designing in history”)
in: Luce, n. 308 – June 2014, pp. 20–22

The magazine Luce, organ of the AIDI, Italian Lighting Association, dedicates an interview to Massimo Iarussi.

Paola Gallerini
“Nuova luce per la Tribuna degli Uffizi” (“New light for the Uffizi Tribune”)
In: Luce e Design, n. 4 – September 2012, pag. 8

An article on the lighting project of the Buontalenti’s Tribune of the Uffizi, realized as part of the “New Uffizi” project.

Cristina Acidini: ”Il sistema Uffizi” (“The Uffizi system”)
Antonio Natali: ”Il colore degli stranieri” (“The color of foreigners”)
Alessandra Marino: ”Oltre le sale azzurre” (“Beyond the blue rooms”)
Adolfo Natalini: ”Non ho mai fatto murare altra cosa più difficile” (“I have never built anything more difficult”)
In: ANANKE, n. 66 – May 2012, pp. 106–116

ANANKE, a quarterly magazine of culture, history and conservation techniques for the project, dedicates a series of authoritative interventions to the “New Uffizi” project.

“La trincea del professionista della luce” (“The trench of the lighting professional”)
In: Luce e Design, n. 6 – November 2011, pag. 28-39

Round table organized by the magazine “Luce e Design”, on the situation of Lighting Design in Italy, with the participation, among others, of Massimo Iarussi.

“Centri storici: le soluzioni future” (“Historic centers: future solutions”)
In: Luce e Design, n. 5 – October 2010, pag. 16

Brief interview with Massimo Iarussi on the research areas to be developed for lighting projects for historic centers.

“Les trophées Lumiville 2008” (“The Lumiville 2008 trophies”)
In: LUX, la revue de l’éclairage, n. 248 – June/July 2008, pp. 30-33

Review of the international competition “Trophées Lumiville 2008”, which saw Studio Massimo Iarussi among its participants, with the lighting project of the Monteriggioni Castle.

“Four Seasons Hotel, il piacere della rinascita” (“Four Seasons Hotel, the pleasure of rebirth”)
Attached to: AND, a magazine of architecture, cities and architects, n. 13 – September/December 2008

Monographic issue on the renovation project of the Palazzo della Gherardesca complex and former Convent of the Sisters of S. Maria Riparatrice in Florence, home to the new Four Seasons Hotel.

Cesare Cunaccia
“Promenade fiorentina” (“Florentine Promenade”)
In: AD, Architectural Digest, n. 328 – September 2008, pp. 304–313

An article on the renovation project of the Palazzo della Gherardesca complex and former Convent of the Sisters of S. Maria Riparatrice in Florence, home to the new Four Seasons Hotel.

Massimo Iarussi
“La luce e il risparmio energetico” (“Light and energy saving”)
In: Luce e Design, n. 2 – April 2008, pp. 31–34

The point on the real possibility of achieving significant energy savings from increasing the efficiency of artificial lighting.

Massimo Iarussi, Beatrice Paolozzi Strozzi, Piero Guicciardini, Marco Magni, Maria Cristina Valenti
“Lo stile dolce di Desiderio” (“Desiderio’s sweet style”)
In: Luce e Design, n. 7 – November 2007, pp. 76–80

An article on the installation and lighting project of the exhibition on Desiderio da Settignano.

Massimo Iarussi
“Al chiaro della Fortezza” (“In the light of the Fortress”)
In: Luce e Design, n. 7 – November 2006, pp. 50–55

An article on the lighting project of the Forte di Bard.

“Il corsivo di Oscuro” (“The column of Oscuro”)
In: Luce e Design, dal n. 4 – June 2006 al n. 3 – May 2008

Under the pseudonym of “Oscuro” (“the Dark”), Massimo Iarussi signed the satirical column published between 2006 and 2008 in the magazine Luce e Design, on topical issues for the lighting sector.

“Sette piazze per il centro storico” (“Seven squares for the historic center”)
In: ARCHITETTI, Idee, Cultura, Progetto
n. 4 – April 2006, pp. 8–11

Article on the results of the national competition of ideas launched by the municipality of Savignano sul Rubicone, in which Studio Massimo Iarussi participated, in a group with the architects Rossi, Zilli and Tarabella, obtaining a mention of merit.

Massimo Iarussi
“Bellezza riscoperta” (“Rediscovered beauty “)
In: Dossier Lightech, n. 23 – April 2006, pp. 55–57

Article on the external lighting project of the Cathedral of San Ciriaco in Ancona, made by Studio Massimo Iarussi with Studio Sauli Engineering.

“Luci su misura” (“Tailor-made lights”)
In: Dossier Lightech, n. 20 – May 2005, pp. 3–7

The renewed lighting project of the Uffizi Gallery.

“A cielo aperto, (s)punti di luce a Milano” (“Lights in the blue”)
In: Flare, n. 39 – September 2005, pp. 102–107

Notes on the urban light experience that took place in Milan in conjunction with the 2005 edition of Euroluce and had Studio Massimo Iarussi among its participants, in a group with the architect Paola Urbano.

Forum curated by Massimo Villa
“Se il progetto della luce è gratuito…” (“If the lighting project is free …”)
In: Luce e Design, n. 3 – May 2004, pp. 10-18

The point on the economic value represented by the lighting project within a contract. Speeches by: Piero Castiglioni, Massimo Iarussi, Mario Antonio Arnaboldi, Antonio Zanuso, Piergiovanni Ceregioli, Giorgio Sottsass.

“Esperienze: lo studio Massimo Iarussi” (“Experiences: the Massimo Iarussi studio”)
In: Luce e Design, n. 1 – February 2004, pp. 46-47

Editorial service dedicated to Studio Massimo Iarussi Lighting Design.

Forum curated by Massimo Iarussi and Alessandro Sauli
“Inquinamento luminoso: quali risposte?” (“Light pollution: what answers?”)
In: Luce e Design, n. 3 – May 2003, pp. 12–16

The point on the delicate issue of light pollution, characterized by a great theoretical and legislative confusion. The opinion of the representatives of the professional categories involved.

Massimo Iarussi
“Corsi di aggiornamento: quale didattica?” (“Refresher courses: which teaching?”)
In: Luce e Design, n. 3 – May 2003, pag. 6

A reflection on the Italian situation of education in the lighting design sector.

Roberto De Giorgi, Andrea Donnini
“La verità della Cena” (“The truth of the Supper”)
In: Luce, n. 4 – September 1999, pp. 36-45

An article on the lighting project of Leonardo da Vinci’s Last Supper.

Paola Palma
“Dalla luce all’oggetto” (“From light to object”)
In: GDA – Giornale dell’arredamento, n. 3 – March 1998, pp. 99-104

An article on the lighting project of the Tridentine Diocesan Museum of Trento.

Domenica Primerano
“Il museo di Trento” (“The museum of Trento”)
In: Ecclesia, n. 4 – March 1996, pp. 78-81

An article on the reorganization and expansion project of the Tridentine Diocesan Museum of Trento.

Igino Rogger and Domenica Primerano
“Il Museo Diocesano di Trento” (“The Diocesan Museum of Trento”)
In: Chiesa Oggi, n. 14 – July/August 1995, pp. 69-73

An article on the reorganization and expansion project of the Tridentine Diocesan Museum of Trento.